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In classical music, contrafacts have been used as early as the parody mass and In Nomine of the 16th century. More recently, Cheap Imitation (1969) by John Cage was produced by systematically changing notes from the melody line of Socrate by Erik Satie using chance procedures.
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.
A fiction writer is thus free to invent very specific events and characters in the imagined history. An example of a counterfactual question would be: "What if the Pearl Harbor attack did not happen?"; whereas an alternate history writer would focus on a possible series of events arising therefrom.
Counterfactual thinking is a concept in psychology that involves the human tendency to create possible alternatives to life events that have already occurred; something that is contrary to what actually happened.
In the early 1950s, the term filk music started as a misspelling of folk music in an essay by Lee Jacobs, "The Influence of Science Fiction on Modern American Filk Music". ". Wrai Ballard, then editor of the Spectator Amateur Press Society refused to publish it for fear that the article's bawdy content could get them into trouble with the Post Office under the Comstock Laws, but found the typo ...
A version of "Elderly Woman Behind the Counter in a Small Town" by Charlotte Martin can be found on her 2007 album Reproductions. Young@Heart Chorus, [14] whose singers range from ages 73 to 90, covered "Elderly Woman Behind the Counter of a Small Town" at their 4th Annual Mash-Up concert in November 2016.
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Moorcock, who has appeared with the band on numerous occasions, does the narration on Live Chronicles. [3] [4] [5] Dust and Dreams: Camel: The Grapes of Wrath: John Steinbeck [6] Epica: Kamelot: Faust: Johann Wolfgang von Goethe: Epica is a concept album based on Faust, Part One. It was followed by The Black Halo, which was based on Faust, Part ...