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Apollo and Daphne is a life-sized marble sculpture by the Italian artist Gian Lorenzo Bernini, which was executed between 1622 and 1625. It is regarded as one of the artistic marvels of the Baroque age. The statue is housed in the Galleria Borghese in Rome, along with several other examples of the artist's most important early works.
The sculpture, the first in a series of major Borghese works including the David and the Apollo and Daphne, was finished in 1622 and delivered to the Villa Borghese, whose main facade already had the myth of Proserpina depicted. [5] Bernini received at least three payments for its creation, of the value of at least 450 Roman scudi. [3]
Apollo and Daphne, a 5th–6th century A.D. ivory relief from Egypt (Ravenna, Italy, National Museum) features a musical Apollo who is serenading Daphne. Thus it also seems to reflect Knox's “Song of Apollo,” the lost literary account. At the same time, it is also a Christianized version of the myth.
Apollo and Daphne is a life-sized Baroque marble sculpture by the Italian artist Gian Lorenzo Bernini, created between 1622 and 1625. Housed in the Galleria Borghese in Rome as part of the Borghese Collection, the work depicts the climax of the story of Apollo and Daphne in Ovid's Metamorphoses. Apollo clutches Daphne's hip, pursuing her as she ...
Followed by. Apollo and Daphne (Bernini) David is a life-size marble sculpture by Gian Lorenzo Bernini. The sculpture was one of many commissions to decorate the villa of Bernini's patron Cardinal Scipione Borghese – where it still resides today, as part of the Galleria Borghese. It was completed in the course of eight months from 1623 to 1624.
Daphne. Daphne (/ ˈdæfni /; DAFF-nee; Greek: Δάφνη, Dáphnē, lit. ' laurel '), [1] a figure in Greek mythology, is a naiad, a variety of female nymph associated with fountains, wells, springs, streams, brooks and other bodies of freshwater. There are several versions of the myth in which she appears, but the general narrative, found in ...
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Nicolas Poussin, 18 November 1664 The French born painter Nicolas Poussin had made his home in Rome since the age of 30. At the end of his life, from 1660 to 1664, he undertook his last set of paintings, The Four Seasons, a work commissioned by the Duc de Richelieu, grand-nephew of Cardinal Richelieu. Work on the paintings was necessarily slow, because of general ill health and the continuing ...