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Feminists Among Us: Resistance and Advocacy in Library Leadership, Shirley Lew and Baharak Yousefi (2017) The H-Spot: The Feminist Pursuit of Happiness, Jill Filipovic (2017) The Feminist Reference Desk, Maria T. Accardi (2017) Nasty Women, edited by Samhita Mukhopadhyay and Kate Harding (2017) Women and Power: A Manifesto, Mary Beard (2017)
Feminist literature is fiction or nonfiction which supports the feminist goals of defining, establishing and defending equal civil, political, economic and social rights for women. It often identifies women's roles as unequal to those of men – particularly as regards status, privilege and power – and generally portrays the consequences to ...
The post 30 Best Feminist Movies to Watch for Women’s History Month appeared first on Reader's Digest. From action to comedy, these are the feminist movies you need to watch, featuring smart ...
Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by second-wave feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back ...
List of feminist literature; List of women anthologists; List of women cookbook writers; List of women electronic writers; List of women hymn writers; List of women sportswriters; Lists of women writers by nationality; Mothers of the Novel: 100 Good Women Writers Before Jane Austen; Norton Anthology of Literature by Women; Sophie (digital lib)
American feminist films, highlighting the societal and political differences women experience in their lives. Subcategories This category has only the following subcategory.
The AWFJ is composed of 76 professional female movie critics, journalist, and feature writers working in print, broadcast and online media. The British Film Institute describes the AWFJ as an organization that collects articles by its (mainly US-based) members, gives annual awards, and "supports films by and about women". [ 61 ]
Mary Ann Doane, for example, argued that the woman's film is not a "pure genre" because it is crossed and informed by a number of other genres such as melodrama, film noir, the gothic, and horror film. [7] Similarly, film scholar Scott Simmon argues that the woman's film has remained "elusive" to the point of having its very existence questioned.