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The idea thus "lives" in the world: in Dostoevsky there is no disembodied ("'no-man's'") thought or idea. Bakhtin uses the term 'voice-idea' to designate this unity of idea and personality. In Dostoevsky's creative process the compositional structure of the novel forms spontaneously around the interactions of this multiplicity of voice-ideas.
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
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Expository writing is a type of writing where the purpose is to explain or inform the audience about a topic. [13] It is considered one of the four most common rhetorical modes. [14] The purpose of expository writing is to explain and analyze information by presenting an idea, relevant evidence, and appropriate discussion.
Examples of this kind of narrator include Jim Carroll in The Basketball Diaries and Kurt Vonnegut, Jr. in Timequake (in this case, the first-person narrator is also the author). In some cases, the narrator is writing a book—"the book in your hands"—and therefore he has most of the powers and knowledge of the author.
In their book Writing Fiction, Janet Burroway, Elizabeth Stuckey-French and Ned Stuckey-French say dialogue is a direct basic method of character presentation, which plays an essential role in bringing characters to life by voicing their internal thoughts. [2]
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