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The "Graveyard Poets", also termed "Churchyard Poets", [1] were a number of pre-Romantic poets of the 18th century characterised by their gloomy meditations on mortality, "skulls and coffins, epitaphs and worms" [2] elicited by the presence of the graveyard. Moving beyond the elegy lamenting a single death, their purpose was rarely sensationalist.
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 12 February 2025. American poet (1830–1886) Emily Dickinson Daguerreotype taken at Mount Holyoke, December 1846 or early 1847; the only authenticated portrait of Dickinson after early childhood Born (1830-12-10) December 10, 1830 Amherst, Massachusetts, U.S. Died May 15, 1886 (1886-05-15) (aged 55 ...
The pastoral elegy is a poem about both death and idyllic rural life. Often, the pastoral elegy features shepherds. The genre is actually a subgroup of pastoral poetry, as the elegy takes the pastoral elements and relates them to expressing grief at a loss. This form of poetry has several key features, including the invocation of the Muse ...
Dylan Marlais Thomas (27 October 1914 – 9 November 1953) [1] was a Welsh poet and writer, whose works include the poems "Do not go gentle into that good night" and "And death shall have no dominion", as well as the "play for voices" Under Milk Wood.
He brought natural speech and foreign influences to create modern poetic Russian. Though his life was brief, he left examples of nearly every literary genre of his day: lyric poetry, narrative poetry, the novel, the short story, the drama, the critical essay and even the personal letter. According to Vladimir Nabokov,
Whitman's major poetry collection, Leaves of Grass, first published in 1855, was financed with his own money and became well known. The work was an attempt to reach out to the common person with an American epic. Whitman continued expanding and revising Leaves of Grass until his death in 1892.
His pieces are often ironic and cynical, especially regarding love and human motives. Common subjects of Donne's poems are love (especially in his early life), death (especially after his wife's death) and religion. [15] John Donne's poetry represented a shift from classical forms to more personal poetry.