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The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
The core topic of the conference is Chinese music theory, researching how to face the contemporary international new literary trend, and how to apply the academic vision to the global field of music theory research. Since then, tremendous changes have taken place in the academic vision of musicology research in China, and new methods and ...
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.
Chinese Lülü xinshu [New treatise of music theory] Theories on scales, pitches and intervals [68] Hermann of Carinthia: fl. 1138–43 De essentiis: Translating Arabic treatises into Latin [69] Guido of Eu: fl. 1130s supposed author of Regule de arte musica: earliest Cistercian treatise on music theory. [70] Jiang Kui: 1155–1221 Chinese
Theory, even of music of the common practice period, may take other forms. [155] Musical set theory is the application of mathematical set theory to music, first applied to atonal music. Speculative music theory, contrasted with analytic music theory, is devoted to the analysis and synthesis of music materials, for example tuning systems ...
The tablature of the guqin is unique and complex. The older form is composed of written words describing how to play a melody step-by-step using the plain language of the time, i.e. descriptive notation (Classical Chinese). The early pieces of music are all written by words to explicitly explain the fingerings.
A definition of music endeavors to give an accurate and concise explanation of music's basic attributes or essential nature and it involves a process of defining what is meant by the term music. Many authorities have suggested definitions, but defining music turns out to be more difficult than might first be imagined, and there is ongoing debate.
Lin's Chinese-English Dictionary of Modern Usage comprises approximately 8,100 character head entries and 110,000 word and phrase entries. [10] It includes both modern Chinese neologisms such as xǐnǎo 洗腦 "brainwash" and many Chinese loanwords from English such as yáogǔn 搖滾 "rock 'n' roll" and xīpí 嬉皮 "hippie".