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Socrates offers four arguments for the soul's immortality: The Cyclical Argument, or Opposites Argument explains that Forms are eternal and unchanging, and as the soul always brings life, then it must not die, and is necessarily "imperishable". As the body is mortal and is subject to physical death, the soul must be its indestructible opposite.
The discussion of rhetoric, the proper practice of which is found to actually be philosophy, has many similarities with Socrates's role as a "midwife of the soul" in the Theaetetus; the dialectician, as described, is particularly resonant. To practice the art, one must have a grasp of the truth and a detailed understanding of the soul in order ...
Socrates' move is to pretend that he has a weak memory (334c), and that for the debate to continue, Protagoras needs to answer in a concise manner. This forces the Sophist to use Socrates' notorious method, his unique question/answer format that can lead to a logical conclusion, usually in Socrates' favour. Protagoras begins to bristle at this ...
When the judge lays hold of some potentate, he will find that his soul bears the scars of his perjuries and crimes, because these will be branded on his soul (524b–525a). Socrates remarks that some people are benefited by the pain and agony of their own punishments (525b) and by watching others suffer excruciating torture; but others have ...
Socratic dialogue (Ancient Greek: Σωκρατικὸς λόγος) is a genre of literary prose developed in Greece at the turn of the fourth century BC. The earliest ones are preserved in the works of Plato and Xenophon and all involve Socrates as the protagonist.
Socrates gently berates the rhapsode for being Protean, which after all, is exactly what a rhapsode is: a man who is convincingly capable of being different people on stage. Through his character Socrates, Plato argues that "Ion’s talent as an interpreter cannot be an art, a definable body of knowledge or an ordered system of skills," but ...
Then Socrates goes on to demonstrate the contrary of the commonly accepted part using the law of non-contradiction. According to Gregory Vlastos, [8] the method has the following steps: Socrates' interlocutor asserts a thesis, for example, "Courage is endurance of the soul", which Socrates considers false and targets for refutation.
Critias suggests that Socrates pretend to know a cure for a headache to lure the boy over. Charmides approaches and tells Socrates about his ailment. Socrates responds that he can find a cure he heard of from Zalmoxis but in order for the cure to work, the patient must have a good soul and possess temperance. Charmides is ashamed to reply that ...