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The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." [2] Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony."
Hector Berlioz, active as a music journalist in Paris in the 1830s and 1840s. Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has been composed and notated in a score and the evaluation of the performance of classical songs and pieces, such as symphonies and concertos.
Nettl, Bruno. 1964c. "Report on the 1964 Annual Meeting of the Society of Ethnomusicology". African Music: Journal of the International Library of African Music 3, no. 3:117. Nettl, Bruno. 1964d. "Book Review: A Bibliography of North American Folklore and Folksong". Journal of the American Musicological Society 17, no. 1: 109–110. Nettl ...
Music can be analysed by considering a variety of its elements, or parts (aspects, characteristics, features), individually or together. A commonly used list of the main elements includes pitch, timbre, texture, volume, duration, and form. The elements of music may be compared to the elements of art or design.
This selective list of chief music critics (or equivalent title, influence or status) aims to make it easier to find the likely author of a review, or at least the influence of the chief music critic on what was covered and how. Journalistic newspaper criticism of Western music did not properly emerge until the 1840s.
The balance between the different elements in a review (information about the performer or group; information about the pieces/songs; commentary about the technical and subjective elements of the performance) depends on the audience that a music critic is writing for. Music reviewers writing in local newspapers or general-interest magazines may ...
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In writing reviews, Berlioz was able to indulge himself in attacking his bêtes noires and extolling his enthusiasms. The former included musical pedants, coloratura writing and singing, viola players who were merely incompetent violinists, inane libretti, and baroque counterpoint . [ 11 ]