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The International Style is a major architectural style and movement that began in western Europe in the 1920s and dominated modern architecture until the 1970s. [1][2] It is defined by strict adherence to functional and utilitarian designs and construction methods, typically expressed through minimalism. [2][3] The style is characterized by modu...
International Style, the dominant style of Western architecture during the middle decades of the 20th century. Its common characteristics include rectilinear forms, little applied ornamentation and decoration, and open interior spaces.
Today when people speak of the "architecture of the modern movement," they are usually referring to the International Style - especially the gleaming steel, glass, and concrete forms of its most famous buildings.
When people describe the modernist movement as a whole, they broadly reference the steel and glass skyscrapers which dot many of our cities’ skylines, or more specifically, the International...
Historian Henry-Russell Hitchcock and architect Philip Johnson coined the term International Style to describe this plain, unadorned architecture of rectilinear forms built of steel, reinforced concrete, and glass. The style transformed the skylines of many major cities around the world.
The phrase 'International Style' was one among many terms used in the 1920s to denote modern architecture. Introduced by an American to characterize a particular kind of European architecture, the term became generally applied in later decades to a broad range of contemporary buildings.
The International Style is emblematic of modern architecture characterized by clean lines, minimal ornamentation, and an emphasis on functionality. Coming into prominence in the 1920s and 1930s, it transformed architectural thought, affecting urban landscapes and design philosophy worldwide.
International Style, Architectural style that developed in Europe and the U.S. in the 1920s and ’30s and dominated Western architecture in the mid 20th century. The term was first used in 1932 by Henry-Russell Hitchcock and Philip Johnson in their essay “The International Style: Architecture Since 1922.”
International style characterizes free plans, dematerialization, emphasis of volume over mass, universality, lack of ornamentation and color.
Hitchcock and Johnson laid out three key design principles of the International Style: 1) Architecture as volume – thin planes or surfaces create the building’s form, as opposed to a solid mass. 2) Regularity in the facade, as opposed to building symmetry. 3) No applied ornament.