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A Stranger’s Guide is the second of the five history galleries and focuses on the period between 1700 and 1830. It presents this period as a travel guide for the first-time visitor, offering advice on the best places to stay, work, spend your leisure time and even highlights the many local people you are likely to encounter, including the likes of John Baskerville and Matthew Boulton. [7]
Operated by Historic Scotland, 15th- to 17th-century house open on select days, grounds include the Kinneil Museum: Kinneil Museum: Bo'ness: Falkirk: Argyll, the Isles, Loch Lomond, Stirling and Trossachs Local website, located in the 17th-century stable block of Kinneil House, history of the park and house from Roman times to the present
Birmingham: Historic house: 17th century Jacobean-style mansion with period rooms featuring furniture, paintings, textiles and metalwork from the collections of the Birmingham Museum & Art Gallery: Aston Manor Road Transport Museum: Aston: Birmingham: Transport: Closed, pending relocation Avery Historical Museum: Smethwick: Sandwell: Industry
Born in Tarbat, Ross, Smith was the son of James Smith (died c.1684), a mason, who became a burgess of Forres, Moray, in 1659. [2] The architect is generally identified as the "James Smith of Morayshire" who attended the Scots College, Rome from 1671–75, initially with the aim of entering the Catholic priesthood, [3] although some scholars are cautious about the certainty of this ...
The house is built on the site of a hunting seat used by the Scottish kings from the 12th century, though no part of the present building can be dated with certainty before the 15th century. Alexander I was the first Scottish king to stay and hunt at Traquair. At that time it was a remote "castle", surrounded by forest.
"The Birth-place of Birmingham Art" - Joseph Barber's studio in Edmund Street, Birmingham Birmingham's tradition in applied arts such as jewellery and metalwork predates the Industrial Revolution, [2] but organised activity in the fine arts of drawing, painting and printmaking began only with the town's huge growth in size and wealth in the 18th century, [3] after the growing realisation of ...
Self portrait of George Jamesone, 1642 Rare example of pre-Reformation stained glass in the Magdalen Chapel, Edinburgh. Art in early modern Scotland includes all forms of artistic production within the modern borders of Scotland, between the adoption of the Renaissance in the early sixteenth century to the beginnings of the Enlightenment in the mid-eighteenth century.
Southern Scotland occupied by the English Commonwealth's New Model Army following Scottish defeats at the Battle of Dunbar 1650 and the Battle of Hamilton during the Third English Civil War: 1651: 3 September: Battle of Worcester was a victory for New Model Army over the last major Royalist field army. Most of the Royalist officers and men who ...
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