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Prehistoric music (previously called primitive music) is a term in the history of music for all music produced in preliterate cultures , beginning somewhere in very late geological history. Prehistoric music is followed by ancient music in different parts of the world, but still exists in isolated areas.
Like the origin of language, the origin of music has been a topic for speculation and debate for centuries. [3] Leading theories include Darwin's theory of partner choice (women choose male partners based on musical displays), the idea that human musical behaviors are primarily based on behaviors of other animals (see zoomusicology), the idea that music emerged because it promotes social ...
Ancient music refers to the musical cultures and practices that developed in the literate civilizations of the ancient world, succeeding the music of prehistoric societies and lasting until the post-classical era. Major centers of ancient music developed in China, Egypt, Greece, India, Iran/Persia, the Maya civilization, Mesopotamia, and Rome.
An early music revival is a renewed interest in music from ancient history or prehistory.The general discussion of how to perform music from ancient or earlier times did not become an important subject of interest until the 19th century, when Europeans began looking to ancient culture generally, and musicians began to discover the musical riches from earlier centuries.
Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal.The origins of music remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language.
Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Music was a normal part of social life in Mesopotamia [14] and was used in many secular contexts. [15] Music played important roles at funerals, [16] among royalty, [17] and was also depicted in relation to sports and sex. [18] Mesopotamian love songs, which represented a distinct genre of music, nevertheless shared features in common with ...
Music and sculpture as artistic expression have developed simultaneously among the first humans in Europe, as the region is considered a key area in which various cultural innovations have developed. In addition to recreational and religious purposes, such ritual music might have helped to maintain larger social networks.