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Stop! Look! And Hasten! is a 1954 Warner Bros. Merrie Melodies cartoon, directed by Chuck Jones. [1] The short was released on August 14, 1954, and stars Wile E. Coyote and the Road Runner. [2] The title is a play on the railroad crossing safety phrase "stop, look, and listen". The cartoon has been featured in the film The Shining.
To Beep or Not to Beep is a Merrie Melodies animated short starring Wile E. Coyote and the Road Runner.Released on December 28, 1963, the cartoon was written by Chuck Jones, John Dunn, Michael Maltese [1] (albeit uncredited), and directed by Jones, Maurice Noble and Tom Ray were the co-directors (albeit the latter is left uncredited). [2]
The Road Runner and Wile E. Coyote feature in 3D computer-animated cartoons or cartoon animation in the Cartoon Network TV series The Looney Tunes Show. The CGI shorts were only included in Season 1, but Wile E. and the Road Runner still appeared throughout the series in 2D animation.
Hopalong Casualty is a 1960 Warner Bros. Looney Tunes theatrical animated short, directed by Chuck Jones. [2] The short was released on October 8, 1960, and stars Wile E. Coyote and the Road Runner. [3]
However, as soon as Coyote climbs over the wall, he encounters a gigantic truck. With no recourse, Wile E. opens the door, gets blown up and then gets run over by the truck. The cartoon ends with a charred and disoriented Wile E. sticking out his tongue and letting out a "beep, beep" in an imitation of the Road Runner, then falling unconscious.
Ready, Set, Zoom! is a 1955 Warner Bros. Looney Tunes cartoon directed by Chuck Jones. [1] The short was released on April 30, 1955, and stars Wile E. Coyote and the Road Runner. [2] The title of the cartoon is a play on "Ready, set, go!".
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The short was released on August 21, 1965, and stars Wile E. Coyote and the Road Runner. [2] It was the first of the Road Runner cartoons subcontracted to Format Productions, and one of the only three which composer William Lava was able to properly score (the subsequent cartoons had to use a set of stock musical cues due to extremely low budgets).
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