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In theaters 26 May 2011 Big Blue Lake: Jessey Tsang: Leila Tong, Lawrence Chou, Amy Chum, Joman Chiang: Drama: In theaters 17 November 2011 Entered into the 2011 Vancouver International Film Festival and Hong Kong Asian Film Festival: A Chinese Ghost Story: Wilson Yip: Louis Koo, Liu Yifei: Fantasy: In theaters 28 April 2011 Choy Lee Fut: Sam ...
This is a list of films produced in Hong Kong ordered by decade and year of release in separate pages. For film set in Hong Kong and produced elsewhere see List of films set in Hong Kong . Zhuangzi Tests His Wife (1913), the first Hong Kong narrative film
Mainland-Hong Kong co-production [37] M A Y 10 Love for Life: Gu Changwei: Aaron Kwok, Zhang Ziyi, Pu Cunxin, Jiang Wenli, Li Danyang, Tao Zeru, Cai Guoqing, Wang Baoqiang: Drama / Romance [38] 13 A Beautiful Life: Andrew Lau: Shu Qi, Liu Ye, Tian Liang, Feng Danying, Sa Rina, Zhang Songwen, Gao Tian, Anthony Wong: Romance / Drama: Mainland ...
A Thai movie that was shown in Hong Kong and several Hong Kong stars dubbed the voices of the main cast in Cantonese. 2003 人妖打排球 2 The Iron Ladies 2 Captain Ekin: Youngyooth & Thongkonthun Tai Entertainment A Thai movie that was shown in Hong Kong and several Hong Kong stars dubbed the voices of the main cast in Cantonese.
Five Golden Dragons (1967) – movie 100% located in Hong Kong with opening footage set in the cross-harbor car ferry; Gambit (1966) Up to His Ears (1965) Lord Jim (1965) Road to Hong Kong (1962) The World of Suzie Wong (1960) – includes footage of the Star Ferry; Ferry to Hong Kong (1959) – starring Orson Welles and includes footage of the ...
Don't Go Breaking My Heart is a 2011 Hong Kong-Chinese romantic comedy film directed by Johnnie To and Wai Ka-fai, [2] making this the twelfth film they have collaborated on together. [3] The film stars Louis Koo, Daniel Wu and Gao Yuanyuan. The film opened the 35th Hong Kong International Film Festival on 20 March 2011. It was then released ...
"Movies are one of the key places that LGBTQ people, particularly youth, often find affirmation, identification, and even community,"says Julia Himberg, PhD, associate professor and director of ...
Unlike many film industries, Hong Kong has enjoyed little or no direct government support, through either subsidies or import quotas. It is a thoroughly commercial cinema: highly corporate, concentrating on crowd-pleasing genres like comedy and action, and relying heavily on formulas, sequels and remakes.