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Utthita Padangusthasana is a pose with the body standing straight, on one leg; the other leg is stretched out straight, and the foot of the raised leg is grasped by the hand on the same side of the body. It is entered from the standing pose Tadasana. [5]
A single asana is listed for each main pose, whether or not there are variations. Thus for Sirsasana (Yoga headstand), only one pose is illustrated, although the pose can be varied by moving the legs apart sideways or front-and-back, by lowering one leg to the floor, by folding the legs into lotus posture, by turning the hips to one side, by placing the hands differently on the ground, and so on.
According to her experiences, some of the differences include: Pattabhi Jois originally left out seven postures in the standing sequence, but later assigned utthita hasta padangusthasana and ardha baddha padmottanasana before the intermediate series was given; utkatasana, virabhadrasana A and B, parivritta trikonasana, and parivritta ...
Supta Padangusthasana ("Reclining Hand to Big Toe pose" [12]) is entered from Shavasana by raising one leg and optionally grasping the big toe with the hand on the same side. [5] [13] A variant is to turn the leg outwards and allow it to sink towards the ground, keeping the hip and trunk level. Another variant, possible only with supple ...
The name comes from the Sanskrit words उत्तान uttāna, "intense stretch"; [2] and आसन; āsana, "posture" or "seat". [3]The pose is a modern one, first seen in the 20th century.
Tadasana is the basic standing asana on which many other poses are founded. The feet are together and the hands are at the sides of the body. The posture is entered by standing with the feet together, grounding evenly through the feet and lifting up through the crown of the head.
Urdhva Mukha Paschimottanasana, also called Ubhaya Padangusthasana, is a balancing form of the pose, legs and hands pointing upwards. [22] [23]
Utkatasana shown as a squatting pose in the 19th century Sritattvanidhi. The name comes from the Sanskrit words utkaṭa (उत्कट) meaning "wild, frightening, above the usual, intense, gigantic, furious, or heavy", [5] and āsana (आसन) meaning "posture" or "seat".