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Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz. Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
Well for me that I have Jesus, O how tightly I hold him that he might refresh my heart, when I'm sick and sad. Jesus I have, who loves me and gives himself to me, ah, therefore I will not leave Jesus, even when my heart breaks. —from BWV 147, chorale movement no. 6 Jesus remains my joy, my heart's consolation and sap, Jesus fends off all ...
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
The music of the chorale movements is now best known for the piano transcription by Dame Myra Hess of Hugh P. Allen's choral version of Bach's arrangement, and is notable under the title Jesu, Joy of Man's Desiring, [28] an inexact translation that transforms the original affirmation ("Jesus remains my joy") into a wish.
Biber uses scordatura primarily to manipulate the violin's tone color as well as allow for otherwise impossible chords on a violin with standard tuning. [3] Through the progression of the sonatas, scordatura presents a number of difficulties to overcome, with the peak of difficulty located in the Sorrowful Mysteries.
Bach composed the cantata in Leipzig for the 27th Sunday after Trinity. [4] This Sunday occurs only when Easter is early. [5] The prescribed readings for the Sunday were from the First Epistle to the Thessalonians, be prepared for the day of the Lord (1 Thessalonians 5:1–11), and from the Gospel of Matthew, the parable of the Ten Virgins (Matthew 25:1–13).
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Concerto in A major for violin, 2 oboes, bassoon, strings, and basso continuo; Concerto in B ♭ major for 2 violins, 2 oboes, bassoon, strings, and basso continuo; James Dillon. Violin Concerto (2000) Ernő Dohnányi. Violin Concerto No. 1 in D minor, Op. 27 (1915) Violin Concerto No. 2 in C minor, Op. 43 (1949–50) Avner Dorman. Violin Concerto
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