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A "hare's fur" Jian tea bowl in the Metropolitan Museum of Art was made during the Song dynasty (960–1279) and exhibits the typical pooling, or thickening, of the glaze near the bottom. [ 13 ] The "hare's fur" patterning in the glaze of this bowl resulted from the random effect of phase separation during early cooling in the kiln and is ...
Three-phase firing (or three-step firing) or iron reduction technique is a firing technique used in ancient Greek pottery production, specifically for painted vases. Already vessels from the Bronze Age feature the colouring typical of the technique, with yellow, orange or red clay and brown or red decoration.
The technique is similar to that of cloisonné, but using a temporary backing that after firing is dissolved by acid or rubbed away. [1] A different technique relies solely on surface tension, for smaller areas. [2] In Japan the technique is known as shotai-jippo (shotai shippo), and is found from the 19th century on. [3]
English: Colour palette adopted by climate scientist Ed Hawkins for "Warming stripes" graphic illustrating global warming. Dr. Hawkins chose the 8 most saturated reds and blues of ColorBrewer 9-class single hue palette. Creation date (below) was chosen as date of Dr. Hawkins' first wide publication of "warming stripes".
The wucai technique was a similar combination, with underglaze blue used more widely for highlights. [69] Two-colour wares, using underglaze blue and an overglaze colour, usually red, also produced very fine results. A number of different other methods using coloured glazes were tried, often with images lightly incised into the body.
2. 💛 Yellow Heart 💛. This is a very Gentle™️ energy, most likely to be used in a familial relationship, friendship, or a romantic thing that’s moving into friendship territory.
A group of over 15 kilns at the village of Qingliangsi, Baofeng County, Henan have been identified as the site manufacturing Ru ware. They were first identified in 1950, [24] and in 1977 the ceramic art historian Ye Zhemin found a sherd on the site which when analysed proved identical to a Ru ware sample in Beijing. [25]
The doucai technique appeared in the reign of the Xuande Emperor (1426–1435), from which a dish with red and green enamels was excavated at the Jindezhen kilns. [13] The technique achieved its first and finest flowering in the last years of the Chenghua Emperor , who reigned from 1464 to 1487, but the doucai pieces all date between 1472 and ...
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