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Edition of the Kokin Wakashū anthology of classic Japanese poetry with wood-carved cover, 18th century. Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa ...
The Japanese-American scholar and translator Kenneth Yasuda published The Japanese Haiku: Its Essential Nature, History, and Possibilities in English, with Selected Examples in 1957. The book includes both translations from Japanese and original poems of his own in English, which had previously appeared in his book titled A Pepper-Pod: Classic ...
Originally, in the time of the influential poetry anthology Man'yōshū (latter half of the eighth century AD), the term tanka was used to distinguish "short poems" from the longer chōka (長歌, "long poems"). [3]
This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry.They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza.
Japanese haiku poets often use a book called a saijiki, which lists kigo with example poems. An entry in a saijiki usually includes a description of the kigo itself, together with a list of similar or related words, and some examples of haiku that include that kigo. [ 14 ]
Senryū (川柳) is a Japanese form of short poetry similar to haiku in construction: three lines with 17 morae (or on, often translated as syllables, but see the article on onji for distinctions). Senryū tend to be about human foibles while haiku tend to be about nature, and senryū are often cynical or darkly humorous while haiku are more ...
Man'yōshū: the oldest anthology in Japanese, c.785, 20 manuscript scrolls, 4,516 poems (when the tanka envoys to the various chōka are numbered as separate poems), Ōtomo no Yakamochi was probably the last to edit the Man'yōshū.
The following poem is a typical example of Santōka's work: What, even my straw hat has started leaking 笠も漏り出したか kasa mo moridashita ka. This poem exhibits two major features of free verse haiku: It is a single utterance that cannot be subdivided into a 5-7-5 syllable structure, and; It does not contain a season word.