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The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.
Stravinsky's The Rite of Spring is widely credited with popularizing bitonality, and contemporary writers such as Casella (1924) describe him as the progenitor of the technique: "the first work presenting polytonality in typical completeness—not merely in the guise of a more or less happy 'experiment', but responding throughout to the demands ...
Diaghilev was impressed enough that he commissioned Stravinsky to write some arrangements for the 1909 ballet season. [8] In the following years, Diaghilev commissioned Stravinsky to write three ballets: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913). [9] These ballets remain Stravinsky's most famous works today. [10] [11 ...
Strawinsky was born in Saint Petersburg in 1907. His father was the composer Igor Stravinsky, who at the time of his son's birth was still under the private tutelage of Nikolai Rimsky-Korsakov, and his mother Yekaterina (née Nosenko), who came from a Ukrainian landowning family.
The Rite of Spring; S. Scènes de ballet (Stravinsky) Scènes de ballet (Ashton) Scènes de ballet (Wheeldon)
This is a sound and video discography of Igor Stravinsky's ballet The Rite of Spring. The work was premiered in Paris on May 29, 1913 at the Théâtre des Champs-Élysées. It was presented by Sergei Diaghilev's Ballets Russes with choreography by Vaslav Nijinsky and was conducted by Pierre Monteux. The list includes many of the most noted ...
In the fall of 1910, Diaghilev came to visit Stravinsky, who at that time was living in Lausanne, Switzerland, expecting to hear the beginning of The Rite of Spring, but instead was greeted with Petrushka. Diaghilev immediately recognized the possibilities of developing this orchestral work into a full length stage work.
With the LSO, Monteux gave a fiftieth anniversary performance of The Rite of Spring at the Royal Albert Hall in the presence of the composer. [136] Although the recording of the occasion reveals some lapses of ensemble and slack rhythms, it was an intense and emotional concert, and Monteux climbed up to Stravinsky's box to embrace him at the end.