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Quadraphonic Vinyl Record (CD-4) (SQ Matrix) An SQ quadraphonic record Analog, introduced by CBS Records for matrix and RCA / JVC for CD-4 Recorded two tracks on both stereo channels, requiring a decoder to hear all four tracks. Despite this, the format is playable on any LP turntable. 1971 HiPac
Most sound recordings for records before the 1950s were made by cutting directly to a master disc. Recording via magnetic tape became the industry standard around the time of the creation of the LP format in 1948, and these two technological advances are often seen as being joined, although 78 rpm records cut from tape masters continued to be manufactured for another decade.
Compared to vinyl record, it was noticed that CD was far more revealing of the acoustics and ambient background noise of the recording environment. [37] For this reason, recording techniques developed for analog disc, e.g., microphone placement, needed to be adapted to suit the new digital format. [37]
Record restoration, a particular kind of audio restoration, is the process of converting the analog signal stored on gramophone records (either 78 rpm shellac, or 45 and 33⅓ rpm vinyl) into digital audio files that can then be edited with computer software and eventually stored on a hard-drive, recorded to digital tape, or burned to a CD or DVD.
The advent of digital sound recording and later the compact disc (CD) in 1982 brought significant improvements in the quality and durability of recordings. The CD initiated another massive wave of change in the consumer music industry, with vinyl records effectively relegated to a small niche market by the mid-1990s. The record industry ...
A mastering engineer is a person skilled in the practice of taking audio (typically musical content) that has been previously mixed in either the analogue or digital domain as mono, stereo, or multichannel formats and preparing it for use in distribution, whether by physical media such as a CD, vinyl record, or as some method of streaming audio.
The LP (from long playing [2] or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33 + 1 ⁄ 3 rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk.
In the days of 78 rpm records, before recording tape was commonly used (up to approx. 1950), audio recordings were cut directly to disc. The recording studio would assign a number to the song to be recorded, which would become the main part of the matrix number, and several takes would be made, with the take number inscribed in the matrix area.
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