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Scivias is an illustrated work by Hildegard von Bingen, completed in 1151 or 1152, describing 26 religious visions she experienced. It is the first of three works that she wrote describing her visions, the others being Liber vitae meritorum and De operatione Dei (also known as Liber divinorum operum ).
Hildegard of Bingen OSB, (German: Hildegard von Bingen, pronounced [ˈhɪldəɡaʁt fɔn ˈbɪŋən]; Latin: Hildegardis Bingensis; c. 1098 – 17 September 1179), also known as the Sibyl of the Rhine, was a German Benedictine abbess and polymath active as a writer, composer, philosopher, mystic, visionary, and as a medical writer and ...
Illumination from Hildegard of Bingen's Scivias (1151) showing her receiving a vision and dictating to Volmar. Volmar (died 1173) was a Saint Disibod monk who acted as prior and father confessor for the nuns at Disibodenberg. He was one of two teachers of Hildegard of Bingen during her early years, the other being Jutta.
Hildegard of Bingen admonished Elisabeth in letters to be prudent in the ascetic life. In 1152, Elisabeth began to experience ecstatic visions of various kinds. [3] This was "a year after Hildegard of Bingen published her first book of visions, the Scivias, a work which seems to have influenced Elisabeth."
Hildegard of Bingen received no traditional education in composition, nor was she trained to play instruments. [citation needed] She was "self-taught," although not in a way that many people would expect. Her whole life, Hildegard of Bingen claimed to be both clairvoyant and clairaudient. The music came to her in trances.
Download as PDF; Printable version; ... Pages in category "Hildegard of Bingen" ... Vision (2009 film) W. Wiesbaden Codex
The Wiesbaden Codex, one of Hildegard of Bingen's two major collections of work. The German Benedictine abbess Hildegard of Bingen is among the most important medieval composers. She is the earliest known woman composer in Western classical music, and an important exponent of sacred music during the High Middle Ages.
The symbolic imagery of Rauðúlfs þáttr is close to that used in the cosmological visions of Hildegard of Bingen, [14] both works represent a widespread tradition of cosmological imagery within the medieval church.