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"In the Garden" (sometimes rendered by its first line "I Come to the Garden Alone" is a gospel song written by American songwriter C. Austin Miles (1868–1946), a former pharmacist who served as editor and manager at Hall-Mack publishers for 37 years. According to Miles' great-granddaughter, the song was written "in a cold, dreary and leaky basement in Pi
I come to the garden alone: 220 I do not know and none can tell: 2 I do not know the depths of Jesus' love, that brought Him down: 7 I have a Comrade who knows me well: 2 I have a cross that I must bear: 2 I have a friend indeed, a friend I often need: 9 I have a friend, than whom I need no other: 2 I have a friend unfailing: 4 I have a friend ...
As the Deer" is a praise and worship hymn song by Martin J. Nystrom, [1] a native of Seattle. Written in 1984, this song is based on Psalm 42:1; [2] [3] [4] [5]
And the running of the deer, The playing of the merry organ, Sweet singing in the choir. 2. The holly bears a blossom, As white as the lily flower, And Mary bore sweet Jesus Christ, To be our sweet Saviour. (Refrain) 3. The holly bears a berry, As red as any blood, And Mary bore sweet Jesus Christ For to do us sinners good. (Refrain)
"Sometimes Always" is a song by the Scottish alternative rock group the Jesus and Mary Chain and the first single from the group's album Stoned & Dethroned. Written by William Reid, the song is a duet between Jim Reid and Mazzy Star's Hope Sandoval. The song was a moderate commercial hit in the UK while also making some noise on the alternative ...
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Song of Songs (Cantique des Cantiques) by Gustave Moreau, 1893. The Song of Songs (Biblical Hebrew: שִׁיר הַשִּׁירִים , romanized: Šīr hašŠīrīm), also called the Canticle of Canticles or the Song of Solomon, is a biblical poem, one of the five megillot ("scrolls") in the Ketuvim ('writings'), the last section of the Tanakh.
The song is in the key of E minor, but the lack of any accidentals in the melody gives it a modal character. The original form of the song has a brief piano introduction and coda . This is retained in the orchestral arrangement.