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The cello thumb position is introduced on the second or half-string harmonic, [1] the note "A" on the highest string. Play ⓘ The note D is difficult if impossible to reach with the fourth finger in 7th position without removing one's thumb from the neck, while it is easily reachable with the third finger in thumb position.
In the neck positions (which use just less than the half of the fingerboard nearest the top of the instrument), the thumb rests on the back of the neck; in thumb position (a general name for notes on the remainder of the fingerboard) the thumb usually rests alongside the fingers on the string and the side of the thumb is used to play notes. The ...
In the neck positions (which use just less than half of the fingerboard, nearest the top of the instrument), the thumb rests on the back of the neck, some people use their thumb as a marker of their position; in thumb position (a general name for notes on the remainder of the fingerboard) the thumb usually rests alongside the fingers on the ...
In notation for keyboard instruments, numbers are used to relate to the fingers themselves, not the hand position on the keyboard. In modern scores, the fingers are numbered from 1 to 5 on each hand: the thumb is 1, the index finger is 2, the middle finger is 3, the ring finger is 4 and the little finger is 5. Earlier usage varied by region.
When cello or double bass players are playing a high-register passage in thumb position, the thumb may be replaced with a finger if there is a sustained note which would otherwise have to be played with the thumb, because the vibrato with the thumb sounds different from finger vibrato. The bony side of the thumb cannot produce the same type of ...
For example, fourth position on the cello (used in the example below) has the player's thumb resting in the "saddle" of the neck root. Similarly, higher positions on the violin make use of the instrument's "shoulder" (treble-side edge of the top's upper bout) as a touch reference.
They slowly changed the fingering methods of the cello, as there was a perceived notion that using the violin and viola de gamba technique on the cello was detrimental to its style. [3] The bowing technique of placing the fingers on the bow stick above the frog became more widespread as the French valued consistent, beautiful tones above all else.
12 Études aux positions du pouce (12 Etudes in Thumb Position), Op. 25; 6 Études artistiques, Op. 30 (1863) 12 Études dans le manche précedant les 12 études aux positions du pouce (12 Etudes on the Neck Preceding 12 Studies in Thumb Position), Op. 49 (published 1885) 6 Études sur des difficultés nouvelles (Etudes on New Challenges), Op ...