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Guide to Extinction is the third studio album of industrial rock band Nocturne. It was their first studio album after 2001's Welcome to Paradise . The album was finally released in 2005, shortly after the break-up of the romantic relationship between producer, guitarist Chris Telkes and singer Lacey Conner.
Nocturne is a 1999 action-adventure survival horror video game set in the late 1920s and early 1930s – the Prohibition and Great Depression era. The player takes the part of The Stranger (voiced by Lynn Mathis), [4] an operative of a fictional American Government secret organization known as "Spookhouse", which was created by President Theodore Roosevelt to fight monsters.
Frédéric Chopin's Nocturne in G Minor, Op. 15, No. 3. The marking "languido e rubato", slow tempo, and subdued dynamics creates an evocative mood characteristic of nocturnes. A nocturne is a musical composition that is inspired by, or evocative of, the night.
Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
H 62 – Nocturne for piano No. 16 in F major – 1836; H 54 – Nocturne for piano [No. 17] "Grande Pastorale" in E major – (two different versions) H 13K – Nocturne for piano [No. 18] "Noontide" in E major; Additional nocturnes: H 55 – Nocturne for piano "The Troubadour" in C major; H 63 – Nocturne for piano in B-flat major – op. posth.
Nocturnal After John Dowland, Op. 70 is a classical guitar piece composed in 1963 by English composer Benjamin Britten for guitarist Julian Bream. [1] It is considered one of the most influential works written in the twentieth century for the classical guitar.
John Field, by Anton Wachsmann [], c. 1820. John Field (26 July 1782, Dublin – 23 January 1837, Moscow) was an Irish pianist, composer and teacher [1] widely credited as the creator of the nocturne.
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.