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  2. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...

  3. Scale (music) - Wikipedia

    en.wikipedia.org/wiki/Scale_(music)

    An auxiliary scale is a scale other than the primary or original scale. See: modulation (music) and Auxiliary diminished scale. ... as on a piano keyboard. In this ...

  4. Chromatic scale - Wikipedia

    en.wikipedia.org/wiki/Chromatic_scale

    Chromatic scale: every key of one octave on the piano keyboard. The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone.

  5. Major scale - Wikipedia

    en.wikipedia.org/wiki/Major_scale

    The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:

  6. Minor scale - Wikipedia

    en.wikipedia.org/wiki/Minor_scale

    the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:

  7. Hexatonic scale - Wikipedia

    en.wikipedia.org/wiki/Hexatonic_scale

    The scale originated in Nicolas Slonimsky's book Thesaurus of Scales and Melodic Patterns through the "equal division of one octave into two parts," creating a tritone, and the "interpolation of two notes," adding two consequent semitones after the two resulting notes. [15] The scale is the fifth mode of Messiaen's list.

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