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According to Matthew 25:1–13, ten virgins await a bridegroom; five have brought enough oil for their lamps for the wait, while the oil of the other five runs out. The five virgins who are prepared for the bridegroom's arrival are rewarded, while the five who went to buy further oil miss the bridegroom's arrival and are disowned.
The chapter continues a discourse commenced at Matthew 24:3 where the disciples come to Jesus to speak "privately". [6] The Parable of the Ten Virgins (verses 1-13) and the Parable of the Talents (verses 14-30) are both unique to Matthew, [7] but the Parable of the Talents has a corollary in Luke 19:11-27.
The setting of the parable of the talents in Matthew 25 is the Mt. Olivet discourse. In Matthew 24–25, the overall theme is end-time events, warning, and parables. "The direct cautions and warnings (Matthew 24:42, Matthew 24:44; Matthew 25:13) must be for the disciples (his audience)—warnings to be watchful and to be ready for Christ's coming".
Early 6th century Byzantine mosaic art, depicting Christ separating the sheep from the goats. The blue angel is possibly the earliest artistic depiction of Satan.. The Sheep and the Goats or "the Judgement of the Nations" is a pronouncement of Jesus recorded in chapter 25 of the Gospel of Matthew, although unlike most parables it does not purport to relate a story of events happening to other ...
The Olivet Discourse or Olivet prophecy is a biblical passage found in the Synoptic Gospels in Matthew 24 and 25, Mark 13, and Luke 21.It is also known as the Little Apocalypse because it includes the use of apocalyptic language, and it includes Jesus's warning to his followers that they will suffer tribulation and persecution before the ultimate triumph of the Kingdom of God. [1]
[1] [2] Blomberg showed how the five-discourse structure can be used to relate the top-level structure of Matthew with Mark, Luke and John. [2] In his mapping Chapter 13 of Matthew is its centre, as is Mark 8:30 and the beginning of Chapter 12 of John. He then separates Luke into three parts by 9:51 and 18:14. [2]
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Bach composed the cantata in Leipzig for the 27th Sunday after Trinity. [4] This Sunday occurs only when Easter is early. [5] The prescribed readings for the Sunday were from the First Epistle to the Thessalonians, be prepared for the day of the Lord (1 Thessalonians 5:1–11), and from the Gospel of Matthew, the parable of the Ten Virgins (Matthew 25:1–13).