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Ayu Utami, whose 1998 novel Saman is noted as starting the sastra wangi movement. Sastra wangi (also spelled sastrawangi; literally, "fragrant literature") is a label given to a new body of Indonesian literature written by young, urban Indonesian women who take on controversial issues such as politics, religion and sexuality.
Indonesian literature is a term grouping various genres of South-East Asian literature.. Indonesian literature can refer to literature produced in the Indonesian archipelago.
Corpus linguistics is an empirical method for the study of language by way of a text corpus (plural corpora). [1] Corpora are balanced, often stratified collections of authentic, "real world", text of speech or writing that aim to represent a given linguistic variety. [1]
Hans Bague Jassin (31 July 1917 – 11 March 2000), better known as HB Jassin, was an Indonesian literary critic, documentarian, and professor.Born in Gorontalo to a bibliophilic petroleum company employee, Jassin began reading while still in elementary school, later writing published reviews before finishing high school.
The German philosopher and media scholar Hannes Bajohr writes that Stochastic Texts is an example of the "sequential paradigm" in generative literature, in opposition to newer examples of a "connectionist paradigm": "Instead of hoping to recreate intuition, genius, or expression, the logic of the machine itself – that is, the logic of ...
The use of removable media creates a risk of data loss in the event that the media is lost or stolen. This can lead to the compromise of large amounts of sensitive data, which can result in significant damage to the reputation of a business, as well as possible financial penalties. [24]
(Ragam Bihag touches also) Bigil: Sreekanth Hariharan, Madhura Dhara Talluri Adhikaalai Naan Paadum Boopalamea Pudhu Padagan: S.Thanu: S. P. Balasubrahmanyam, K. S. Chithra: Kathivaithu Kangal Irandum Mannavaru Chinnavaru: Geethapriyan Sukhwinder Singh,Ranjani Un Per Solla Minsara Kanna: Deva: Hariharan, Sujatha Mohan: Thoongu Moonchi Surieyan
A raga (IAST: rāga, IPA:; also raaga or ragam or raag; lit. ' colouring ' or ' tingeing ' or ' dyeing ' [ 1 ] [ 2 ] ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode . [ 3 ]