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Pino Palladino Palladino performing with the Who in 2008 Background information Birth name Giuseppe Henry Palladino Born (1957-10-17) 17 October 1957 (age 67) Cardiff, Wales Origin Finchley, London, England Genres Rock soul funk pop new wave jazz fusion Occupations Bassist songwriter record producer Instrument Bass guitar Years active 1974–present Member of John Mayer Trio Formerly of The ...
[6] (major pentatonic on C: C, D, E, G, A) Contrastingly, Averill argues that the progression was used because of the potential it offered for chromatic pitch areas. [ 13 ] Variations include the addition of minor seventh chords before the dominant seventh chords , creating overlapping temporary ii–V–I relationships [ 14 ] through ii–V ...
Matt Bissonette (born July 25, 1961) is an American bass player and vocalist. According to Guitar 9, an online musicianship magazine, he has played bass and other stringed instruments on at least 22 albums, with music styles ranging from jazz, jazz fusion, progressive metal and instrumental rock.
His instrumental approach utilized pentatonic lead lines and a then-unusual treble-rich sound ("full treble, full volume"). He was voted as the greatest bass guitar player ever in a 2011 Rolling Stone readers' poll [3] and, in 2020, the same magazine ranked him number three in its list of the "50 Greatest Bassists of All Time". [4]
Since the 1950s, the electric bass guitar has largely replaced the double bass in popular music. Bass guitarists provide the low-pitched basslines and bass runs in many different styles of music ranging from rock and metal to blues and jazz. Bassists also use the bass guitar as a soloing instrument in jazz, fusion, Latin, funk, and in some rock ...
Chord inversions and chords with other altered bass notes are notated analogously to regular slash chord notation. In the key of C, C/E (C major first inversion, with E bass) is written as 1/3; G/B is written as 5/7; Am/G (an inversion of Am7) is written as 6m/5; F/G (F major with G bass) is 4/5. Just as with simple chords, the numbers refer to ...
(For example, in Japanese music the anhemitonic yo scale is contrasted with the hemitonic in scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). [7]
The modern keyboard is designed for playing a diatonic scale on the white keys and a pentatonic scale on the black keys. Chromatic scales involve both. Three immediately adjacent keys produce a basic chromatic tone cluster.
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