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The Phaedrus (/ ˈ f iː d r ə s /; Ancient Greek: Φαῖδρος, romanized: Phaidros), written by Plato, is a dialogue between Socrates and Phaedrus, an interlocutor in several dialogues. The Phaedrus was presumably composed around 370 BC, about the same time as Plato's Republic and Symposium . [ 1 ]
Scholars often view Plato's philosophy as at odds with rhetoric due to his criticisms of rhetoric in the Gorgias and his ambivalence toward rhetoric expressed in the Phaedrus. But other contemporary researchers contest the idea that Plato despised rhetoric and instead view his dialogues as a dramatization of complex rhetorical principles.
His character in Plato, along with the ill-fated implications of his oncoming exile, has long exerted influence on literature and philosophy. Among the ancients, Alexis' mid-late 4th century comedic play Phaedrus depicts a man philosophizing on the nature of eros, [1] while Diogenes Laërtius assumes Phaedrus to be Plato's "favorite" individual ...
In Plato's dialogues, we find the soul playing many disparate roles. Among other things, Plato believes that the soul is what gives life to the body (which was articulated most of all in the Laws and Phaedrus) in terms of self-motion: to be alive is to be capable of moving yourself; the soul is a self-mover. He also thinks that the soul is the ...
Plato's final dialogue on rhetoric, the Phaedrus (c. 370 BCE), offered a more moderate view of rhetoric, acknowledging its value in the hands of a true philosopher (the "midwife of the soul") for "winning the soul through discourse".
Plato (427–347 BCE) outlined the differences between true and false rhetoric in a number of dialogues—particularly the Gorgias and Phaedrus, dialogues in which Plato disputes the sophistic notion that the art of persuasion (the Sophists' art, which he calls "rhetoric"), can exist independent of the art of dialectic. Plato claims that since ...
The arts of Rhetorical criticism are an intellectual practice that dates from the time of Plato, in Classical Greece (5th–4th c. BC). Moreover, in the dialogue Phaedrus (c. 370 BC), the philosopher Socrates analyzes a speech by Lysias (230e–235e) the logographer (speech writer) to determine whether or not it is praiseworthy.
In Plato's Phaedrus, Socrates talks about ekphrasis to Phaedrus, saying: "You know, Phaedrus, that is the strange thing about writing, which makes it truly correspond to painting. The painter's products stand before us as though they were alive, but if you question them, they maintain a most majestic silence.