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The name of the movement (which means 1900s) was a deliberate reference to great periods of Italian art in the past, the Quattrocento and Cinquecento (1400s and 1500s). The group rejected European avant garde art and wished to revive the tradition of large format history painting in the classical manner.
Bruno Munari (24 October 1907 – 29 September 1998) was "one of the greatest actors of 20th-century art, design and graphics". [1] He was an Italian artist, designer, and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art, and in non-visual arts (literature, poetry) with ...
Following is a list of Italian painters (in alphabetical order) who are notable for their art. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
If you're active on social media, you have likely seen some of the breathtaking artwork that has been created following the death of George Floyd. Perhaps it's portraits honoring the 46-year-old ...
Movement founded by the Italian artist Lucio Fontana as the Spatialism, its tenets were repeated in manifestos between 1947 and 1954. Combining elements of concrete art, dada and tachism, the movement's adherents rejected easel painting and embraced new technological developments, seeking to incorporate time and movement in their works.
Giovanni Paolo Lomazzo, Gloria Angelica, Foppa Chapel, Church of San Marco, a typical example of art of the second half of the 16th century in Milan. The Milanese art scene of the second half of the 16th century must be analyzed by considering the particular position of the city: while for the Spanish Empire it represented a strategic military outpost, from the religious point of view it was ...
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As in the first half of the century, the art gallery of the benefactors of the Ospedale Maggiore collects the best examples of Milanese portraiture in the second half of the 17th century; through these paintings one can observe the evolution towards a more mature Baroque style: the best examples are attributed to Giuseppe Nuvolone. [76]