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While longer descriptions may appear to provide more information, a concise summary can highlight the most important plot elements. By focusing attention on the larger structures of the plot and leaving out unnecessary trivial detail, a shorter summary can often help the reader to better understand the work.
Plot summaries and character descriptions should be written in an out-of-universe style, presenting the narrative from an external real-world frame of reference from the characters or setting. For example, instead of starting a plot summary with "It is 2003", which puts the reader in the frame of reference of the work, start with "In 2003 ...
In these cases, you can often replace the entire paragraph with a single sentence that explicitly states the central idea. For example, if a paragraph shows how a character becomes increasingly stressed, replace it with "Bob becomes increasingly stressed". This is unnecessary in shorter plot summaries.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In fiction writing, a plot outline gives a list of scenes. Scenes include events, character(s) and setting. Plot, therefore, shows the cause and effect of these things put together. The plot outline is a rough sketch of this cause and effect made by the scenes to lay out a "solid backbone and structure" to show why and how things happened as ...
This is most common in books with very large casts of characters, as well as children's books and speculative fiction. [citation needed] For example, the opening pages of Jon Krakauer's Into Thin Air contain a dramatis personae. Other examples include Worldwar: In the Balance by Harry Turtledove, and The Horus Heresy by various authors.
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Each character should have their distinctive voice. [14] To differentiate characters in fiction, the writer must show them doing and saying things, but a character must be defined by more than one single topic of conversation or by the character's accent. The character will have other interests or personality quirks as well. [15]