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The smaller of the two theaters is the flexible 200-seat LUMA Theater, which houses Bard's Theater and Dance Programs during the academic year. The Fisher Center is also the home of the Bard Music Festival, hosting companies from around the world during Bard SummerScape, a festival of opera, theater, and dance. The Performing Arts Center is ...
Founded in 1981, Milton Avery Graduate School of the Arts (otherwise known as the Bard MFA program) is a nontraditional school for interdisciplinary study in the visual and creative arts. The program takes place over two years and two months, with students residing on campus during three consecutive summers, and two winter sessions of ...
The bard is a standard playable character class in many editions of the Dungeons & Dragons fantasy role-playing game. [1] The bard class is versatile, capable of combat and of magic (divine magic in earlier editions, arcane magic in later editions). Bards use their artistic talents to induce magical effects. [2]
One of the first fellows of the Radcliffe Institute for Advanced Study of Harvard University, she also taught at the New England Conservatory of Music, Mount Holyoke College, the Cambridge Center for Adult Education, the Dance Notation Bureau, Northeastern University, and the Longy School of Music of Bard College, a conservatory located in ...
Sullivan is a tenured associate professor of dance at the University of North Carolina at Greensboro's College of Visual and Performing Arts. [2] Her research is in choreography and in her original dance technique. [3] Sullivan discovered Safety Release technique, a postmodern dance technique with a heavy emphasis on floor work and breathing.
Reed left the NYCB in 1964, [2] retiring from performing dance to spend more time with her family. [5] She taught at Bard College, Annandale-on-Hudson, New York, and then founded a school in the Hudson Valley. Reed was a United States Cultural Exchange Programs consultant recommending companies to represent American dance abroad. [3]
Mary Fulkerson, whose dance technique, which she called Anatomical Release Technique was informed primarily by Mabel Elsworth Todd, Bonnie Bainbridge Cohen and Steve Paxton. Although the names of the two techniques are similar, they developed relatively independently from each other.
The greatest influence on the development of the Cecchetti method was Carlo Blasis, a ballet master of the early 19th century.A student and exponent of the traditional French school of ballet, Blasis is credited as one of the most prominent ballet theoreticians and the first to publish a codified technique, the "Traité élémentaire, théorique, et pratique de l'art de la danse" ("Elementary ...