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Mere Christianity is a Christian apologetical book by the British author C. S. Lewis. It was adapted from a series of BBC radio talks made between 1941 and 1944, originally published as three separate volumes: Broadcast Talks (1942), Christian Behaviour (1943), and Beyond Personality (1944).
Biblical Songs (Czech: Biblické písně) is a song cycle which consists of musical settings by Czech composer Antonín Dvořák of ten texts, selected by him, from the Book of Psalms. It was originally composed for low voice and piano (1894, Op. 99, B. 185). The first five songs were later orchestrated by the composer (1895, B. 189).
Mere Christianity: A Revised and Amplified Edition, with a New Introduction, of the Three Books, Broadcast Talks, Christian Behaviour, and Beyond Personality (1952; based on radio talks of 1941–1944) English Literature in the Sixteenth Century Excluding Drama. Oxford University Press. 1954; 1975. ISBN 0-19-881298-1
[4] In the West, the majority of Christian denominations use instruments such as an organ, piano, electronic keyboard, guitar, or other accompaniment, and occasionally by a band or orchestra, to accompany the singing. But some churches have historically not used instruments, citing their absence from the New Testament.
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
Mendelssohn was also aware of arrangements of some of the earlier Lieder for piano duet by Carl Czerny. [11] Many others have made various arrangements of individual songs, including for orchestra, chamber ensemble, or solo instrument with piano accompaniment. One such example is the arrangement of 22 of the songs by Mendelssohn's student, the ...
Schumann's 1841 Fantasia for piano and orchestra, in form similar to Weber's Konzertstück, was later rewritten and expanded with two further movements into his Piano Concerto Op. 54. [4] When the soloist is a vocalist, the piece rather belongs to the concert aria genre. Some concert pieces are written for instrumental soloists exclusively ...
In a piano–vocal score, the vocal parts are written out in full, but the accompaniment is reduced and adapted for keyboard (usually piano). [1] The music is usually reduced to two staves; however, more staves, a second keyboardist (piano four hands), or a second keyboard part can be added, as needed. There are two main types of piano–vocal ...