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Wire wrapped jewelry is made of wire and sometimes findings similar to wire (head-pins, jump rings, etc.) Wire wrapped jewelry is made using mechanical connections between components and without soldering or other heat treatments. A mechanical connection is connecting a loop to another loop by interlocking them. A key element in wire wrapped ...
Soft wire is easy to bend and shape, but the finished product may be bent out of shape if squeezed. Hard wire is difficult to bend but makes permanent shapes. Half-hard wire is a compromise between the two. Wire-wrapped jewelry can be made by wire which is initially soft, simplifying fabrication, but later hardened by hammering or by work ...
The kyoketsu-shoge cord and ring was sometimes used to wrap around an enemy's legs and trip them. [4] Typically the round ring was flat rather than round in cross section to provide a firmer grip and a more sturdy frame, as the ring was also used for strikes and deflective blows in use.
Mechanical wire wrap tool Electrical wire wrap tool; pneumatic (air-powered) tools are also available. A "wire wrap tool" has two holes. The wire and 1 ⁄ 4 in (6.4 mm) of insulated wire are placed in a hole near the edge of the tool. The hole in the center of the tool is placed over the post. The tool is rapidly twisted.
Persian weave is a method of weave used in jewelry and other art forms, using jump rings. The Persian family of weaves is a chainmail weave based on a stacked ring orientation. In the construction of Persian weaves the rings become stacked and form pairs. Most Persian weaves have both left and right-handed versions.
Wire sculpture is the creation of sculpture out of wire. The use of metal wire in jewelry dates back to the 2nd Dynasty in Egypt and to the Bronze and Iron Ages in Europe. [ 1 ] In the 20th century, the works of Alexander Calder , Ruth Asawa , and other modern practitioners developed the medium of wire sculpture as an art form.
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O-rings on the Dunbar practice chanter. The bottom section of the chanter is the portion that produces the melody which results from the covering and uncovering of small holes drilled into the core of the chanter at precisely determined intervals. The top of this section is the stock into which the reed is inserted.
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