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Depending on definition, the double bass typical range goes over that which is in the chart - indeed the double bass wiki page lists a much higher upper range (Stopped note is G4 which is fully doable). Even though the double bass page goes into non-typical but still practically doable, most solo pieces go higher than the this chart suggests.
The double bass (/ ˈ d ʌ b əl b eɪ s /), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched chordophone [1] in the modern symphony orchestra (excluding rare additions such as the octobass). [2]
The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings. The sounding range [ 3 ] refers to the pitches produced by an instrument, while the written range [ 3 ] refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience.
Franz Simandl. Franz Simandl (August 1, 1840 – December 15, 1912) was a double-bassist and pedagogue from Austria-Hungary most remembered for his book New Method for String Bass, known as the "Simandl book", which is to this day used as a standard study of double bass technique and hand positions.
Essentially a 4-string bass with one added high or low string. Choice of tuning depends whether the added string is low or high. Guitar, bass (6-string) 6 strings 6 courses. Standard/common: B 0 E 1 A 1 D 2 G 2 C 3. Alternate: E 1 A 1 D 2 G 2 B 2 E 3. Bass, electric bass, 6-string bass, contrabass guitar Essentially a 4-string bass with either ...
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The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
This chart only displays down to C 0, though some pipe organs, such as the Boardwalk Hall Auditorium Organ, extend down to C −1 (one octave below C 0). Also, the fundamental frequency of the subcontrabass tuba is B ♭ −1 .