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Gyuto (Tibetan: རྒྱུད་སྟོད།, Wylie: rgyud stod, THL: gyü-tö) was founded in 1475 by Jetsun Kunga Dhondup and is one of the main tantric colleges of the Gelug tradition. In Tibet, monks who had completed their geshe studies would be invited to join Gyuto or Gyume, another tantric institution, to receive a firm grounding ...
The Sarma, "New Translation" schools of Tibetan Buddhism (Gelug, Sakya, Kagyu, Jonang) classify tantric practices and texts into four categories or "doors" of entry. They are classified according to the capacity of persons who they were taught for, as well as according to the strength of how they use desire and the specific types of methods ...
Losar (Tibetan: ལོ་གསར་, Wylie: lo-sar; "new year" [1]) also known as Tibetan New Year, is a festival in Tibetan Buddhism. [2] The holiday is celebrated on various dates depending on location ( Tibet , Bhutan , Nepal , India ) tradition.
Namgyal Monastery (Tibetan: རྣམ་རྒྱལ།, Wylie: rnam rgyal) (also often referred to as "Dalai Lama's Temple") is in Mcleod Ganj, Dharamsala, India. It is the personal monastery of the 14th Dalai Lama. Another name for this temple-complex is Namgyal Tantric College.
Monks playing dungchen, Tibetan long trumpets, from the roof of the Medical College, Lhasa, 1938 Street musician playing a dramyin, Shigatse, Tibet, 1993. The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad.
Dance and music have always been integral to the Tibetan culture and are considered to be one of the key components of the traditional “five minor sciences” (Rik ne Chungwa Nga). By keeping the Tibetan artistic traditions alive and sharing them with the world, TIPA aims to preserve the cultural identity of Tibetans.
Although many of the songs of realization date from the mahasiddha of India, the tradition of composing mystical songs continued to be practiced by tantric adepts in later times and examples of spontaneously composed verses by Tibetan lamas exist up to the present day, an example being Khenpo Tsultrim Gyamtso Rinpoche. [3]
Tibetan Buddhism inherited numerous tantras and forms of tantric practice from medieval Indian Buddhist Tantra. There were various ways of categorizing these tantras in India. In Tibet, the Sarma (New Translation) schools categorize tantric scriptures into four classes, while the Nyingma (Ancients) school use six classes of tantra.