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Bass music. Bassline (sometimes referred to as bassline house or 4x4 or Niche) is a music genre closely related to UK garage that originated in South Yorkshire and the West Midlands in the early 2000s. [1] Stylistically it comprises a four-to-the-floor rhythm normally at around 135–142 beats per minute and a strong emphasis on bass, similar ...
[19] [20] [21] Chris Squire's bass guitar parts were played on his custom-built Electra MPC Outlaw - making use of two of its plug-in features (the octave box and the phaser) [19] - run through a 100-watt Marshall amplifier: "I used the MPC with the built-in octave drop, which gives you a sub bass frequency.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
Wherever I Lay My Hat - Paul Young (1983) No one did more to promote expressive bass playing back in the '80s than Pino Palladino. His big break came as a member of Paul Young’s band ...
It was released as a single under the name "Tear the Roof off the Sucker (Give Up the Funk)". It was the second single to be released from Parliament's 1975 album Mothership Connection (following "P. Funk (Wants to Get Funked Up)"). With its anthemic sing-along chorus, it is one of the most famous P-Funk songs.
Drum and bass. Drum and bass (commonly abbreviated as DnB, D&B, or D'n'B) is a genre of electronic dance music characterised by fast breakbeats (typically 165–185 beats per minute [2][3]) with heavy bass and sub-bass lines, [4] samples, and synthesizers. The genre grew out of the UK's jungle scene in the 1990s. [5]
Bomb the Bass. Bomb the Bass is an electronic music alias of English musician and producer Timothy Simenon. [2][3] As a name, Bomb the Bass came from Simenon's approach to collaging and mixing sounds whilst DJing in the mid- to late 1980s; he says "samples were either scratched in live or sampled and looped on top of the rhythm section. So the ...
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