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Composition. "You Get What You Give" has been described as an alternative rock, [3] power pop, [4][5] and pop rock song. [6] It is written in the key of D major with a moderate tempo of 120 beats per minute. [7] Gregg Alexander said the central theme of the song was "remembering to fly high and be completely off your head in a world where you ...
It was released as a single under the name "Tear the Roof off the Sucker (Give Up the Funk)". It was the second single to be released from Parliament's 1975 album Mothership Connection (following "P. Funk (Wants to Get Funked Up)"). With its anthemic sing-along chorus, it is one of the most famous P-Funk songs.
The bass/clap beat, mixed with harpsichord, gave listeners an initial impression of the song being a remix, with which the effect is typically associated. This type of beat would later appear in Ne-Yo's 2008 hit " Closer ", which uses guitar with a bass/clap beat mixed with keyboard and chorus matching the vocals.
Wherever I Lay My Hat - Paul Young (1983) No one did more to promote expressive bass playing back in the '80s than Pino Palladino. His big break came as a member of Paul Young’s band ...
B.B. King singles chronology. "How Do I Love You". (1963) " How Blue Can You Get ". (1964) "Rock Me Baby". (1964) " How Blue Can You Get " (alternatively " Downhearted ") is a blues song first recorded by Johnny Moore's Three Blazers in 1949. It is a slow twelve-bar blues that jazz critic Leonard Feather and his wife, Jane Feather, are credited ...
Freebass. Freebass were an English rock supergroup consisting of, originally, three bassists - Andy Rourke (formerly of The Smiths), Peter Hook (formerly of Joy Division & New Order) and Gary "Mani" Mounfield (of The Stone Roses and Primal Scream) - and singer Gary Briggs (formerly of Haven). [2] [3] Rourke subsequently left the line-up.
[19] [20] [21] Chris Squire's bass guitar parts were played on his custom-built Electra MPC Outlaw - making use of two of its plug-in features (the octave box and the phaser) [19] - run through a 100-watt Marshall amplifier: "I used the MPC with the built-in octave drop, which gives you a sub bass frequency.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...