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[19] [20] [21] Chris Squire's bass guitar parts were played on his custom-built Electra MPC Outlaw - making use of two of its plug-in features (the octave box and the phaser) [19] - run through a 100-watt Marshall amplifier: "I used the MPC with the built-in octave drop, which gives you a sub bass frequency.
B.B. King singles chronology. "How Do I Love You". (1963) " How Blue Can You Get ". (1964) "Rock Me Baby". (1964) " How Blue Can You Get " (alternatively " Downhearted ") is a blues song first recorded by Johnny Moore's Three Blazers in 1949. It is a slow twelve-bar blues that jazz critic Leonard Feather and his wife, Jane Feather, are credited ...
It was released as a single under the name "Tear the Roof off the Sucker (Give Up the Funk)". It was the second single to be released from Parliament's 1975 album Mothership Connection (following "P. Funk (Wants to Get Funked Up)"). With its anthemic sing-along chorus, it is one of the most famous P-Funk songs.
Wherever I Lay My Hat - Paul Young (1983) No one did more to promote expressive bass playing back in the '80s than Pino Palladino. His big break came as a member of Paul Young’s band ...
Freebass. Freebass were an English rock supergroup consisting of, originally, three bassists - Andy Rourke (formerly of The Smiths), Peter Hook (formerly of Joy Division & New Order) and Gary "Mani" Mounfield (of The Stone Roses and Primal Scream) - and singer Gary Briggs (formerly of Haven). [2] [3] Rourke subsequently left the line-up.
Alberti bass is a kind of broken chord or arpeggiated accompaniment, where the notes of the chord are presented in the order lowest, highest, middle, highest. This pattern is then repeated several times throughout the music. [ 5 ] The broken chord pattern helps to create a smooth, sustained, flowing sound on the piano.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
With key visual motifs in music videos, [17] its sonic motifs, eerie yet elegant—with grooving bass lines and bassy thumps under catchy, melodic hooks and Snoop's relaxed, melodic raps—debuted gangsta rap on popular radio. [21] [22] "Nuthin' but a 'G' Thang" pervaded it, [23] and was a 1994 Grammy nominee, while "Let Me Ride" won a Grammy.