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One of These Days (instrumental) " One of These Days " is the opening track from Pink Floyd 's 1971 album Meddle. [4][5] The composition is instrumental except for the spoken line from drummer Nick Mason, "One of these days, I'm going to cut you into little pieces." It features double-tracked bass guitars played by David Gilmour and Roger ...
"Rescue Me" is a rhythm and blues song first recorded and released as a single by American soul singer-songwriter Fontella Bass in 1965. [1] The original versions of the record, [2] and BMI, [3] give the songwriting credit to Raynard Miner and Carl William Smith, although many other sources also credit Bass herself as a co-writer.
A free-bass system is a system of left-hand bass buttons on an accordion, arranged to give the performer greater ability to play melodies with the left-hand and form one's own chords. The left-hand buttonboard consists of single-note buttons with a range of three octaves or more, in contrast to the standard Stradella bass system, which offers a ...
Melle Mel. Joey Robinson Jr. " White Lines (Don't Don't Do It) " is a song by American hip hop recording artist Melle Mel, released as a 12" in 1983 on Sugar Hill Records. The song, which warns against the dangers of cocaine, addiction, and drug smuggling, is one of Melle Mel's signature tracks. The bassline is taken from a performance of the ...
Wherever I Lay My Hat - Paul Young (1983) No one did more to promote expressive bass playing back in the '80s than Pino Palladino. His big break came as a member of Paul Young’s band ...
Bass music. Bassline (sometimes referred to as bassline house or 4x4 or Niche) is a music genre closely related to UK garage that originated in South Yorkshire and the West Midlands in the early 2000s. [1] Stylistically it comprises a four-to-the-floor rhythm normally at around 135–142 beats per minute and a strong emphasis on bass, similar ...
Bomb the Bass. Bomb the Bass is an electronic music alias of English musician and producer Timothy Simenon. [2][3] As a name, Bomb the Bass came from Simenon's approach to collaging and mixing sounds whilst DJing in the mid- to late 1980s; he says "samples were either scratched in live or sampled and looped on top of the rhythm section. So the ...
[19] [20] [21] Chris Squire's bass guitar parts were played on his custom-built Electra MPC Outlaw - making use of two of its plug-in features (the octave box and the phaser) [19] - run through a 100-watt Marshall amplifier: "I used the MPC with the built-in octave drop, which gives you a sub bass frequency.
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