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The argument from beauty (also the aesthetic argument) is an argument for the existence of a realm of immaterial ideas or, most commonly, for the existence of God, that roughly states that the evident beauty in nature, art and music and even in more abstract areas like the elegance of the laws of physics or the elegant laws of mathematics is evidence of a creator deity who has arranged these ...
In the pre-colonial Philippines, the Kinnara or Kinnari are symbolic of androgynous beauty and of a lover's devotion, ethereal beauty, and one's undying devotion towards a lover. Pre-colonial gold pieces have been found depicting such otherworldly beauty. [12] A golden image of Kinnari was excavated in Surigao at around 1981. It is a gold ...
The beauty which is spread over the face of visible nature is an emanation from this spiritual beauty, and is beauty because it symbolizes and expresses the latter. Thus the beauty of a plant resides in its perfect adaptation to its end, a perfection which is an expression of the wisdom of its Creator.
The crane is wildlife on its own and is not an art object. This can be related to Saito's definition of the cognitive view. In elaboration, the crane lives through various ecosystems such as Yellowstone. Nature is a living system which includes animals, plants, and Eco-systems.
Citrine “A powerful gemstone crystal in a range of deep yellows, oranges, and yellow-cream-white, the citrine gemstone is said to bring abundance and wealth into one’s life,” Salzer says.
Beauty is commonly described as a feature of objects that makes them pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, art and taste are the main subjects of aesthetics, one of the fields of study within philosophy.
Beauty is said to be in the eye of the beholder, but do different countries, with their different cultural values, have different ideas of what is beautiful? One recent college graduate wanted to ...
Light may accentuate beauty, but either great light or darkness, i. e., the absence of light, is sublime to the extent that it can annihilate vision of the object in question. What is "dark, uncertain, and confused" [ 8 ] moves the imagination to awe and a degree of horror.