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In the strict sense of the term "uninflected", only invariable words are uninflected, but in broader linguistic usage, these terms are extended to be inflectable words that appear in their basic form. For example, English nouns are said to be uninflected in the singular, while they show inflection in the plural (represented by the affix -s/-es).
Inflection of the Scottish Gaelic lexeme for 'dog', which is cù for singular, chù for dual with the number dà ('two'), and coin for plural. In linguistic morphology, inflection (less commonly, inflexion) is a process of word formation [1] in which a word is modified to express different grammatical categories such as tense, case, voice, aspect, person, number, gender, mood, animacy, and ...
Nonconcatenative morphology, also called discontinuous morphology and introflection, is a form of word formation and inflection in which the root is modified and which does not involve stringing morphemes together sequentially.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The use of strategies which, on the surface appear to be appropriate to the situation, but are meant to be taken as meaning the opposite in terms of face management. That is, the utterance which appears, on the surface, to maintain or enhance the face of the recipient actually attacks and damages the face of the recipient. ...
An antithesis must always contain two ideas within one statement. The ideas may not be structurally opposite, but they serve to be functionally opposite when comparing two ideas for emphasis. [4] According to Aristotle, the use of an antithesis makes the audience better understand the point the speaker is trying to make. Further explained, the ...
In phonology, syncope (/ ˈ s ɪ ŋ k ə p i /; from Ancient Greek: συγκοπή, romanized: sunkopḗ, lit. 'cutting up') is the loss of one or more sounds from the interior of a word, especially the loss of an unstressed vowel.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]