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Download as PDF; Printable version; ... Musicals in which recitative takes the place of spoken dialogue for all or most of the show. ... (musical) Superhero (musical) ...
The Black Crook was a long-running musical on Broadway in 1866. [1]Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated who
Opéra comique (French: [ɔpeʁa kɔmik]; plural: opéras comiques) is a genre of French opera that contains spoken dialogue and arias.It emerged from the popular opéras comiques en vaudevilles of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), [1] which combined existing popular tunes with spoken sections.
Occasionally used for operas outside specific, standard genres. 2. 19th/20th century: an opéra is a "French lyric stage work sung throughout" [17] in contrast to an opéra comique that mixed singing with spoken dialogue. Opéra (which included grand opéra), was associated with the Paris Opéra (the Opéra).
A sung-through stage musical, musical film, opera, or other work of performance art is one in which songs entirely or almost entirely replace any spoken dialogue. Conversations, speeches, and musings are communicated musically, for example through a combination of recitative , aria , and arioso .
A William Hogarth painting based on The Beggar's Opera (c. 1728), a key antecedent of musical theatre. Development of musical theatre refers to the historical development of theatrical performance combined with music that culminated in the integrated form of modern musical theatre that combines songs, spoken dialogue, acting and dance.
Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, [2] and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations.
The opera libretto from its inception (c. 1600) was written in verse, and this continued well into the 19th century, although genres of musical theatre with spoken dialogue have typically alternated verse in the musical numbers with spoken prose. Since the late 19th century some opera composers have written music to prose or free verse libretti.