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The Adoration of the Magi is a painting of 1633–34 by the Flemish Baroque artist Peter Paul Rubens, made as an altarpiece for a convent in Louvain. It is now in King's College Chapel, Cambridge, in England. It measures 4.2 m × 3.2 m (13 ft 9 in × 10 ft 6 in).
The Conversion of Saint Bavo (1623-1624) by Rubens. The Conversion of Saint Bavo is an altarpiece by Peter Paul Rubens, dated 1623–1624. It was commissioned as the high altarpiece for Sint-Baafskathedraal in Ghent by bishop Antoon Triest (1577–1657). It is still sited in the cathedral.
The Saint Stephen Triptych is a 1616–1617 oil on panel painting by Peter Paul Rubens, produced as the high altarpiece for Saint-Amand Abbey, a Benedictine house near Valenciennes. It was seized during the French Revolution and is now in the Musée des Beaux Arts de Valenciennes .
The Ildefonso Altarpiece is a triptych painting by Peter Paul Rubens, dating to between 1630 and 1631. It is now in the Kunsthistorisches Museum , in Vienna . It is named after the central panel, which shows Saint Ildefonsus 's vision of the Virgin Mary , in which she gave him a casula .
Christ on the Cross (Rubens) Christ Triumphant over Sin and Death (Rubens) The Circumcision (Rubens) The Conversion of Saint Bavo; The Conversion of Saint Paul (Rubens, Berlin) The Conversion of Saint Paul (Rubens, London) Coronation of the Virgin (Rubens) The Crowning of Saint Catherine; The Crucifixion of St. Peter (Rubens)
The Descent from the Cross is the central panel of a triptych painting by the Baroque artist Peter Paul Rubens in 1612–1614. It is still in its original place, the Cathedral of Our Lady, Antwerp, Belgium. The painting is considered to be one of Rubens' masterpieces.
Peter Paul Rubens painted the Adoration of the Magi (Matthew 2:1ff) more often than any other episode from the life of Christ. [1] The subject offered the Counter-Reformation artist the chance to depict the richest worldly panoply, rich textiles, exotic turbans and other incidents, with a range of human types caught up in a dramatic action that expressed the humbling of the world before the ...
The Madonna della Vallicella is an oil-on-slate painting produced between 1606 and 1608 by Peter Paul Rubens. It is his second confirmed commission in Rome, after his now-lost painting cycle for Santa Croce in Gerusalemme.