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The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [2] [9] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design. It is then cut into beads or discs when cooled. [2] [9]
Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. [1] Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced.
A selection of glass beads Merovingian bead Trade beads, 18th century Trade beads, 18th century. A bead is a small, decorative object that is formed in a variety of shapes and sizes of a material such as stone, bone, shell, glass, plastic, wood, or pearl and with a small hole for threading or stringing. Beads range in size from under 1 ...
In glassblowing, cane refers to rods of glass with color; these rods can be simple, containing a single color, or they can be complex and contain strands of one or several colors in pattern. Caneworking refers to the process of making cane, and also to the use of pieces of cane, lengthwise, in the blowing process to add intricate, often spiral ...
Among the various Lumad peoples of Mindanao, particularly the inter-related Manobo groups, bali-og are bead necklaces composed chokers and necklaces fastened around the neck. A fringe of more beads and other ornaments (including copper or brass bells, amulets, and shells) are then attached to the lower edge of the chokers.
Glass beads are usually categorized by the method used to manipulate the glass – wound beads, drawn beads, and molded beads. There are composites, such as millefiori beads, where cross-sections of a drawn glass cane are applied to a wound glass core. A very minor industry in blown glass beads also existed in 19th-century Venice and France.
Patent #2,956,520 for a "candy cane forming machine" was issued on October 18, 1960 to Fr. Gregory H. Keller, a Roman Catholic priest who aside from his parish ministry helped his brother-in-law with his candy company. The patent was originally co-assigned to Robert E. McCormack. [1] Robert McCormack was the founder of Bobs Candies. [2]
Ornament in male clothing went out of fashion around 1800, in the Great Male Renunciation. Ornament in architecture and furniture resumed in the later 19th century Napoleon III style, Victorian decorative arts and their equivalents from other countries, to be decisively reduced by the Arts and Crafts movement and then Modernism.
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