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In Europe, as John Ruskin said, [30] and Sir Kenneth Clark confirmed, landscape painting was the "chief artistic creation of the nineteenth century", and "the dominant art", with the result that in the following period people were "apt to assume that the appreciation of natural beauty and the painting of landscape is a normal and enduring part ...
Sum of all paintings at Wikimania 2015: Author: Maarten Dammers: Software used: Microsoft® PowerPoint® 2016: Conversion program: Microsoft® PowerPoint® 2016: Encrypted: no: Page size: 540 x 720 pts: Version of PDF format: 1.5
Landscape paintings by Johannes Vermeer (2 P) Pages in category "Landscape paintings" The following 200 pages are in this category, out of approximately 369 total.
Albrecht Altdorfer produced the very first pure landscapes in the history of European art. [1] Only five surviving landscape paintings are generally accepted to have been painted by Altdorfer. [2] Two of them, one in Munich (30.5 × 22.2 cm) and one in London (41.2 × 35.5 cm), were painted in oils on parchment glued on wood.
The Size 30 painting, measuring 73 cm × 92 cm (29 in × 36 in), depicts a scene of a ploughed field near the asylum at Saint-Rémy-de-Provence, with a lilac bush, a peasant carrying a wheatsheaf, several buildings, and the Alpilles mountains rising behind, with a small patch of sky.
Splashed-ink Landscape (破墨山水, Haboku sansui) by Sesshū Tōyō, 1495 Sesshu's landscape in hatsuboku style. Haboku (破墨) and Hatsuboku (溌墨) are both painting techniques employed in suiboku (ink-wash painting) in China and Japan, as seen in landscape paintings, involving an abstract simplification of forms and freedom of brushwork.
Stone City, Iowa is a 1930 painting by the American artist Grant Wood.It depicts the former boomtown of Stone City, Iowa.It was Wood's first major landscape painting. It is a study of a real place with which Wood was thoroughly familiar, but the landscape has been given fantastical curvy shapes, the trees are ornamental, and the bright surfaces are artificially patterned.
According to art historian Alexei Fedorov-Davydov, Levitan's painting March was a 'discovery in Russian landscape painting', combining a pictorial depiction of snow, spring sky, and trees. This motif later became a popular theme for many Russian landscape painters of the 20th century, including Igor Grabar and Konstantin Yuon . [ 13 ]
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