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Filmmaker Martin Scorsese when talking about The Apu Trilogy remarked "without a doubt, in [Ray's] films the line between poetry and cinema, dissolved". [69] In Gregory Nava's 1995 film My Family, the final scene is duplicated from the final scene of Apur Sansar.
The Academy Film Archive preserved the entire Apu Trilogy in 1996, including Apur Sansar. In 2013, the video distribution company The Criterion Collection, in collaboration with the Academy of Motion Picture Arts and Sciences' Film Archive, began the restoration of the original negatives of the Apu trilogy, including Apur Sansar.
Apur Sansar depicts Apu's adult life, his reaction to his wife's premature death, and his final bonding with his son whom he abandoned as an infant. Ray did not initially plan to make a trilogy: he decided to make the third film only after being asked about the possibility of a trilogy at the 1957 Venice Film Festival , [ 34 ] where Aparajito ...
Pather Panchali was followed by two films that continued the tale of Apu's life—Aparajito (The Unvanquished) in 1956 and Apur Sansar (The World of Apu) in 1959. Together, the three films constitute the Apu trilogy. Aparajito portrays the adolescent Apu, his education in a rural school and a Calcutta college. Its central theme is the poignant ...
Starting with his debut film, Apur Sansar (The World of Apu, 1959), the third part of Apu Trilogy, he went on to work in several notable films with Ray, including Abhijan (The Expedition, 1962), Charulata (The Lonely Wife, 1964), Aranyer Din Ratri (Days and Nights in the Forest, 1969); Ashani Sanket (Distant Thunder, 1973); Sonar Kella (The ...
Starting with his debut film, Apur Sansar (The World of Apu, 1959), the third part of The Apu Trilogy, as adult Apu, he went on to work in several films with Ray, including Abhijan (The Expedition, 1962), Charulata (1964), Kapurush (1965), Aranyer Din Ratri (Days and Nights in the Forest, 1969), Ashani Sanket (Distant Thunder, 1973), Sonar ...
Gregory Nava's 1995 film My Family had a final scene that was reminiscent of Apur Sansar. Ira Sachs's 2005 work Forty Shades of Blue was a loose remake of Charulata. Other references to Ray's films are found, for example, in 2006's Sacred Evil, [170] and the Elements trilogy by Deepa Mehta. [171]
Apur Sansar (The World of Apu) (1959), the final film of the trilogy, covering Apu's adulthood; Apu Nahasapeemapetilon, a fictional character from the animated television series The Simpsons (appearing 1990–present)