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Nunsploitation, along with nazisploitation, is a subgenre that ran a parallel course alongside women in prison films in the 1970s and 1980s. As with prison films, they are set in isolated, fortress-like convents where the all-female population turns to lesbianism and perversity. The element of religious guilt allows for lurid depictions of ...
School of the Holy Beast a.k.a. Convent of the Sacred Beast (聖獣学園, Seijū gakuen) is a film in the nunsploitation subgenre of Pinky violence made by Toei Company in 1974. The film is also known as The Transgressor .
[3] In the United States, the film was released on June 14, 2005, as Images in a Convent on DVD by Media Blasters in its hard version from which three minutes of Marina Ambrosini's scene of diabolical possession were cut. [3] It contains the film only in its Italian dub with non-removable yellow English subtitles. [4]
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The life of Sister Virginia Maria has been popularized in many films, most of which are examples of the nunsploitation subgenre. La monaca di Monza, a 1962 Italian historical drama directed by Carmine Gallone, starring Giovanna Ralli.
Devils of Monza (Italian: La monaca di Monza, also known as Sacrilege) is a 1987 Italian historical erotic-drama film directed by Luciano Odorisio.It is based on real-life events related to Marianna de Leyva, better known as Sister Virginia Maria, "The Nun of Monza", whose story was made famous by Alessandro Manzoni's novel The Betrothed.
Killer Nun has been aligned with the nunsploitation genre, which centres on aberrant secularised behaviour from religious women. Unlike other examples of the genre, usually set in medieval or Renaissance locations, Killer Nun is firmly set in the present day, and has no pretensions to social commentary or any remarks about the role of religious women within the Church or the larger society.
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