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The main armament of the Genoese crossbowmen was the crossbow, made in Genoa by the Balistrai Corporation. As well, the mercenaries were equipped with a dagger , a light metal helmet , a gorget , a hauberk and a large shield , called a pavese ( pavise ), which was used while reloading the crossbow.
Genoese crossbowmen, recruited in Genoa and in different parts of northern Italy, were famous mercenaries hired throughout medieval Europe, while the crossbow also played an important role in anti-personnel defence of ships. [93] Some 4,000 crossbowmen joined the Fifth Crusade and 5,000 under Louis IX of France during the Seventh Crusade. [10]
21st-century hunting compound crossbow. A crossbow is a ranged weapon using an elastic launching device consisting of a bow-like assembly called a prod, mounted horizontally on a main frame called a tiller, which is hand-held in a similar fashion to the stock of a long gun.
The Genoese crossbowmen, an internationally-recognized elite corps, made use of the pavise, utilizing pavesarii (shield bearers). Having over three crossbowmen per pavise suggests that they took turns using the pavise as cover and were used primarily in static or defensive formations.
Galeotto Spinola was appointed Captain of the people in 1335 along with Raffaele Doria. They overthrew the power of Robert of Naples in Genoa. In 1435, Francesco Spinola was successful at the Siege of Gaeta in the war over the control of Naples. Shortly afterwards, Francesco led a revolt that ended the rule of a Visconti based in Milan over Genoa.
Artists from Genoa were influential during the 17th century. Many painters emigrated to either Venice, Florence, or Rome. Prominent stimuli to the local artists were prolonged visits to the town of artists from Spain and countries north of Italy, including Velázquez, Van Dyck, and Pierre Puget.
Pages in category "Military history of the Republic of Genoa" ... Genoese crossbowmen This page was last edited on 1 July 2024, at 20:50 (UTC). Text ...
A view of Genoa and its fleet by Christoforo de Grassi (1597 copy, after a drawing of 1481); Galata Museo del Mare, Genoa. Thereafter, Genoa underwent something of a revival as a junior associate of the Spanish Empire, with Genoese bankers, in particular, financing many of the Spanish crown's foreign endeavors from their counting houses in Seville.