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By the late 1970s, "My Sweet Lord" was the most covered song written and released by any of the former Beatles since the band's break-up. [233] Edwin Starr and Byron Lee and the Dragonaires were among the other artists who recorded it.
Ronald Augustus Mack (July 11, 1940 – November 5, 1963) [1] was an American songwriter, singer and talent manager who wrote "He's So Fine", a number one chart hit in 1963 for the Chiffons and the apparent inspiration for George Harrison's "My Sweet Lord". Mack's early death inspired Holland, Dozier and Holland to write the song "Jimmy Mack". [2]
Leng recognises the arrangements on "pivotal" songs such as "Isn't It a Pity", "My Sweet Lord", "Beware of Darkness" and "All Things Must Pass" as important elements of the album's sound. [119] According to Scott, he and Harrison worked alone for "weeks and months" on the overdubs, as Harrison recorded the backing vocals and lead guitar parts.
Coinciding with this 2001 reissue, the song appeared on a promotional single as the B-side to "My Sweet Lord (2000)". [130] After being omitted from the "cursory" selection of 1970–75 tracks on The Best of George Harrison (1976), Inglis writes, the song appeared on Harrison's 2009 career-spanning compilation Let It Roll. [131]
Chocolate Jesus is the common name of chocolate sculptures by Richard Manderson in 1994, who called it Trans-substantiation 2; by George Heslop in 2006 who called his work Jesus on the Cross [1]; and a third one by Cosimo Cavallaro in 2007 he called My Sweet Lord. [2] It has also been used in literature and song.
In 1970, George Harrison released the song "My Sweet Lord", whose musical similarities to "He's So Fine" prompted the estate of Ronnie Mack to file a copyright infringement claim. [2] The Chiffons went on to record "My Sweet Lord" in 1975. [2] A judge later found that Harrison had unintentionally plagiarized the earlier song. [4]
The song was first formally published in the 1870s for the Fisk University Jubilee Singers after being written by Wallace Willis, a Native American slave before the American Civil War.
While reviewing the song's pairing with "My Sweet Lord", Billboard magazine wrote of a "powerhouse two-sided winner" with "equally potent lyric lines and infectious rhythms". [104] Cash Box said that Harrison was making his single debut "in a grand manner with two towering sides", of which "Isn't It a Pity" was the "more impressive" and "a ...