Search results
Results from the WOW.Com Content Network
Over 70 examples of late prehistoric rock art have been identified in the South West of Britain, [4] being far sparser than those found in the North. [8] This may in part be due to the harder nature of the natural rock in the area, which is largely plutonic granite, alongside a lack of research focused in this region. [ 4 ]
Natural stone is used as architectural stone (construction, flooring, cladding, counter tops, curbing, etc.) and as raw block and monument stone for the funerary trade. Natural stone is also used in custom stone engraving. The engraved stone can be either decorative or functional. Natural memorial stones are used as natural burial markers.
Rocks formations and the Dedo de Deus (God's Finger) peak in the background, Serra dos Órgãos National Park, Rio de Janeiro state, Brazil Raouché or Pigeons' Rock in Beirut, Lebanon Druid Arch, Canyonlands National Park, Utah, US View of Meteora, Greece Rock formations in Ongamira Valley, Sierras de Córdoba, Argentina Belogradchik Rocks, Balkan Mountains, Bulgaria "Jaws", an erosional fin ...
The best known example of such intaglio rock art is the Nazca Lines of Peru. [28] In contrast, geoglyphs are positive images, which are created by piling up rocks on the ground surface to resulting in a visible motif or design. [28]
The Alunda moose is a Neolithic artistic stone axe c.2000 B.C. that was found in Uppland, Sweden. It is displayed in the Swedish History Museum. Dagenham idol; Westray Wife; Folkton Drums; Rock carvings at Alta (Norway) – artwork includes images of Bear worship. Rock art of the Iberian Mediterranean Basin; List of stone circles
The stone circle consists of thirteen stones and has a diameter of 11.4 metres. The stone circle is not a perfect circle, but is a ring with a flattened east side (13.4 metres north–south by 12 metres east–west). The stones have an average height of three metres. The ring covers an area of 124 square metres.
European dolmens, especially hunebed and dyss burials, often provide examples of the use of kerbs in megalithic architecture but they were also added to other kinds of chamber tomb. Kerbs may be built in a dry stone wall method employing small blocks or more commonly using larger stones set in the ground.
There has been much debate over the dating of Levantine paintings, and whether they belong to the Mesolithic, the end of the Paleolithic, or the Neolithic; they clearly represent a very different style from the much more famous Art of the Upper Paleolithic in caves on either side of the Pyrenees, but yet may well show continuity with it. [1]